CRI-24 Color Rendering Improvement Filter

CRI-24 is a colour-rendering improvement (CRI) filter that warms and smooths spiky LED/HMI spectra by cutting deep blue and yellow-green while preserving a cyan window and strong long-red. Transmission is high (~88–93% at ~390–425 nm), falls to ~8–12% near ~450–460 nm, surges to ~88–92% around ~490–500 nm, then dips to ~15–20% across ~560–580 nm before climbing to ~92–95% from ~670–740 nm and holding ~90–92% toward ~780 nm.

Key advantages

• Raise CRI/TLCI and R9 — moderates the ~450 nm spike and the ~520–600 nm band while keeping strong long-red for natural skin, wood, food, and fabrics.

• Dual-notch, dual-pass profile — deep attenuation near ~450 nm and ~560–580 nm with high throughput in cyan (~490–500 nm) and long-red (>~670 nm).

• Colour-temperature tuning — shifts overly cool sources toward neutral/warm without magenta/green casts.

• Predictable shaping — smooth slopes and broad features avoid banding and preserve colour balance.

• Built for production — durable dielectric stack for sets, stages, and architectural fixtures; optional rear-surface AR and slight wedge to suppress ghosts.

• Custom formats — Borofloat®, Eagle XG, or D263 T (0.21–3.8 mm) for high-temp duty to ~450 °C; soda-lime for ≤150 °C. Sizes 5–450 mm.

Typical applications

• Cinema/TV lighting — lift TLCI/CRI and skin-tone accuracy with less in-camera correction.

• Photography & events — warmer, more flattering faces and textiles under LED or HMI.

• Retail, museum & hospitality — reduce green cast and reveal natural reds in merchandise and art.

• Architectural & display — refine off-the-shelf luminaires for premium colour.

• Machine vision — balance channels where red features matter and blue/green glare is problematic.

Need test chips tomorrow or thousands next quarter? CRI-24 filters are coated and cut-to-size (including dicing) to your exact spec—fast.