Colour-rendering enhancement filter boosting CRI from typical LED and fluorescent sources to deliver richer, more natural colour reproduction for retail, broadcast, and architectural lighting.
CRI-25 CRI delivers Target source type Phosphor-converted white LED / fluorescent, CRI Ra improvement 70 → 95+ (typical), and R9 (deep red) improvement 0–20 → 90+ (typical).
The hard-oxide coating is built for repeated handling, heat, and cleaning.
Best suited for:
Retail lighting over produce, meat, textile
CRI-25 is a colour-rendering improvement (CRI) filter that warms and smooths spiky LED/HMI spectra by suppressing deep blue and broad yellow-green while preserving a cyan window and strong long-red. Transmission starts high (~86–90% at ~390–410 nm), drops into a deep blue notch near ~445–460 nm (~5–8% T), rises to a narrow cyan peak of ~68–72% around ~495–505 nm, dips again to ~18–22% near ~545–560 nm, then climbs steeply through the red to ~92–94% by ~630–740 nm and holds ~91–93% toward ~780 nm.
Key advantages
Raise CRI/TLCI and R9 — moderates the ~450 nm spike and the ~520–600 nm band while keeping strong long-red for natural skin, wood, food, and fabrics.
Dual-notch, dual-pass profile — deep attenuation at ~450 nm and ~545–560 nm with high throughput in cyan (~495–505 nm) and long-red (>~630 nm).
Colour-temperature tuning — shifts overly cool sources toward neutral/warm without magenta/green casts.
Predictable shaping — smooth slopes and broad features avoid banding and preserve colour balance.
Built for production — durable dielectric stack for sets, stages, and architectural fixtures; optional rear-surface AR and slight wedge to suppress ghosts.
Custom formats — Borofloat®, Eagle XG, or D263 T (0.21–3.8 mm) for high-temp duty to ~450 °C; soda-lime for ≤150 °C. Sizes 5–450 mm.
Typical applications
Cinema/TV lighting — lift TLCI/CRI and skin-tone accuracy with less in-camera correction.
Photography & events — warmer, more flattering faces and textiles under LED or HMI.
Retail, museum & hospitality — reduce green cast and reveal natural reds in merchandise and art.
Architectural & display — refine off-the-shelf luminaires for premium colour.
Machine vision — balance channels where red features matter and blue/green glare is problematic.
Need test chips tomorrow or thousands next quarter? CRI-25 filters are coated and cut-to-size (including dicing) to your exact spec—fast.
CRI-25 is a Warm-Tone Dominance with Deep Blue Notch. CRI-25 combines intense warm-tone emphasis with deep blue elimination. Peak transmission of 94.6 % at 685 nm establishes red dominance, while a catastrophic minimum of 5.0 % at 449 nm creates the deepest blue valley in the entire filter series. Common uses include Maximum-Warmth Theater Key Lighting, Ultra-Luxury Hospitality Ambiance Creation, Warm-Tone Film & Television Production, and High-End Residential Interior Design.
Key published specs for CRI-25 include Target source type: Phosphor-converted white LED / fluorescent; CRI Ra improvement: 70 → 95+ (typical); R9 (deep red) improvement: 0–20 → 90+ (typical); Colour temperature shift: Moderate shift (~100–300 K typical); Light output reduction: ~40.2 %.
CRI-25 is commonly used for Maximum-Warmth Theater Key Lighting, Ultra-Luxury Hospitality Ambiance Creation, Warm-Tone Film & Television Production, and High-End Residential Interior Design. Maximum-Warmth Theater Key Lighting - Theatrical fixtures using CRI-25 achieve unprecedented warm tone with 95 % output; audience experiences source as purely incandescent without technical LED appearance.
KUPO lists the construction for CRI-25 as Ion-assisted hard-oxide; 5 – 450 mm shapes, 0.21 – 3.8 mm thick. Published custom options include Source-specific tuning, combined CRI + colour temperature correction, rapid prototypes. Flexible Optical Integration Formats - Round 5-450 mm, square blanks, and bespoke free-form geometries on Borofloat, soda-lime, D263 T, Eagle XG; 0.21-3.8 mm thickness for design flexibility.
The hard-oxide coating is built for repeated handling, heat, and cleaning.
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