Colour-rendering enhancement filter boosting CRI from typical LED and fluorescent sources to deliver richer, more natural colour reproduction for retail, broadcast, and architectural lighting.
CRI-9 CRI delivers Target source type Phosphor-converted white LED / fluorescent, CRI Ra improvement 70 → 95+ (typical), and R9 (deep red) improvement 0–20 → 90+ (typical).
The hard-oxide coating is built for repeated handling, heat, and cleaning.
Best suited for:
Retail lighting over produce, meat, textile
CRI-9 represents extreme CRI correction strategy: peak transmission at 96.4 % at 774 nm contrasts with a catastrophic minimum of 6.7 % at 443 nm. The yellow and green bands plunge to 15.8 % and 15-20 % respectively, creating the deepest visible-region suppression in the series. UV transmission remains high at 90.1 %, while red drops to 50.7 % - a trade-off accepting significant red loss to achieve maximum spectral reshaping. The 51.4 % average transmission reflects aggressive reshaping for maximum CRI score improvement rather than practical light efficiency. This filter addresses sources with severe phosphor imbalance where conventional corrections prove insufficient.
CRI-9 samples ready in 4-5 weeks; production runs support custom specs, antireflection coatings, and edge treatments. High-volume pricing available for broadcast facilities and museum networks.
CRI-9 is a Maximum CRI Aggressiveness - Ultra-Deep Cut. CRI-9 represents extreme CRI correction strategy: peak transmission at 96.4 % at 774 nm contrasts with a catastrophic minimum of 6.7 % at 443 nm. The yellow and green bands plunge to 15.8 % and 15-20 % respectively, creating the deepest visible-region suppression in the series. Common uses include Ultra-High-CRI Broadcast Production, Museum Fine-Art Illumination, High-End Jewelry Photography, and Film Archival & Restoration.
Key published specs for CRI-9 include Target source type: Phosphor-converted white LED / fluorescent; CRI Ra improvement: 70 → 95+ (typical); R9 (deep red) improvement: 0–20 → 90+ (typical); Colour temperature shift: Moderate shift (~100–300 K typical); Light output reduction: ~48.6 %.
CRI-9 is commonly used for Ultra-High-CRI Broadcast Production, Museum Fine-Art Illumination, High-End Jewelry Photography, and Film Archival & Restoration. Ultra-High-CRI Broadcast Production - International broadcast standards (BBC, EBU) using CRI-9 filtered LEDs achieve CRI > 96 with zero color-grading; talent lighting matches historical tungsten studio references without compromise.
KUPO lists the construction for CRI-9 as Ion-assisted hard-oxide; 5 – 450 mm shapes, 0.21 – 3.8 mm thick. Published custom options include Source-specific tuning, combined CRI + colour temperature correction, rapid prototypes. Precision Optical Blank Formats - Custom round 5-450 mm, square, and free-form blanks on Borofloat, soda-lime, Schott D263 T, Corning Eagle XG with 0.21-3.8 mm thickness for retrofit and integration flexibility.
The hard-oxide coating is built for repeated handling, heat, and cleaning.
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